In Coralie Fargeat's new feminist terror flick The Substance, unsafe popular appeal requirements are the real monsters. They (female objectification, the disposal of "the outdated," the proliferation of a field improved body system customization) feed a monster of a pattern that leads Demi Moore's fading TV individuality character Elisabeth https://otisreviews.frewwebs.com/30567559/the-substance-2024
Margaret Qualley The Substance
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